Cam
Cam
CAM.
THE SIMPLE, THREE-LETTER NAME IS BOLD. AND THAT RINGS TRUE TO THE ART, AND THE HEART, OF ONE OF COUNTRY'S SHINING NEW ACTS.
THAT BOLDNESS IS EVIDENT IN NEARLY EVERY STEP SHE TAKES. CAM MAKES IT A HABIT TO WEAR EYE-CATCHING YELLOW EVERY TIME SHE GOES OUT IN PUBLIC. THE STRINGS AND ACOUSTIC GUITAR IN HER BREAKOUT #1 PLATINUM-CERTIFIED SMASH, THE GRAMMY AND ACM AWARDS NOMINATED "BURNING HOUSE," ARE STIRRINGLY FRAGILE, A BRAVE COUNTERPOINT TO THE PARTY ATMOSPHERE OF MODERN COUNTRY. AND SHE SINGS WITH A DYNAMIC CLARITY THAT'S BOTH DISTINCTIVE AND FRIENDLY.
CAM BACKS UP THAT BOLDNESS WITH A FIRM DELIVERY, EMBEDDING HER MATERIAL WITH A RINGING CONVICTION THROUGHOUT THE 11 SONGS ON HER ARISTA NASHVILLE/RCA RECORDS FULL-LENGTH DEBUT, UNTAMED. RELEASED DECEMBER 11, 2015, HER NEW ALBUM BURST ONTO BILLBOARD'S TOP COUNTRY ALBUMS CHART AT #2 AND EARNED 2015'S BEST FIRST-WEEK ALBUM SALES BY A DEBUT COUNTRY ARTIST. WHETHER SHE'S SINGING ABOUT FRESH LOVE, BROKEN HEARTS OR DIFFICULT PERSONAL CROSSROADS, SHE'S CLEARLY LIVING THE EXPERIENCE FOR THE THREE OR FOUR MINUTES SHE'S IN IT. ACTUALLY, SHE'S RE-LIVING THE EXPERIENCE, BECAUSE THE EMOTIONS IN EVERY ONE OF HER SONGS COME UNAPOLOGETICALLY FROM HER SINGULAR INTERACTION WITH THE WORLD.
"THERE'S A LOT OF WORK INVOLVED IN BEING AN ARTIST, AND I'M SO HAPPY TO DO IT," SHE SAYS. "BUT IF I'M GOING TO INVEST MY TIME IN THE WORK PART OF IT, THE MUSIC JUST HAS TO BE ME."
THE "ME" THAT CAM PRESENTS TO THE WORLD IS MULTI-DIMENSIONAL. SHE'S POWERFULLY VULNERABLE IN "BURNING HOUSE," FIERCE AND DEFIANT IN "RUNAWAY TRAIN," EFFERVESCENT AND CAREFREE IN "MY MISTAKE." AND THE EMOTIONS IN THE MATERIAL AREN'T THE ONLY THING THAT SEPARATES THOSE TITLES – EVERY SONG INCORPORATES A DIFFERENT SONIC PALETTE. WHILE ONE MIGHT RELY ON POLISHED POP INFLUENCES AND MELODY, ANOTHER YIELDS A PIANO BAR FEEL, ONE CLEVERLY INFUSES A BIT OF GREGORIAN CHANT, AND YET ANOTHER USES STEEL GUITAR TO CREATE A CLASSIC-COUNTRY MOOD.
THAT WIDE-RANGING ARTISTRY IS KEY IN CAM'S APPROACH. INSTEAD OF LIMITING HER CHOICES TO MAKE AN EASILY DEFINED PRODUCT, SHE'S PUT FAITH IN THE UNIQUENESS OF HER VOICE, ALLOWING THAT TO BE THE DEFINING CHARACTER OF A PLIABLE, ADVENTUROUS MUSICAL PERSONA.
CO-WRITING EACH OF THE SONGS ON UNTAMED, CAM SAYS, "THE COHESIVE PART IS ME AND MY VOICE. THE MUSIC ALL STEMS FROM THE SAME PLACE, AND IT ALLOWS YOU TO GO IN DIFFERENT DIRECTIONS WITH THE CONTENT AND THE LYRICS AND THE KIND OF VIBE THAT'S GOING ON IN EACH SONG."
ADVENTURE AND UNIQUENESS WERE PRACTICALLY BUILT IN TO CAM FROM THE OUTSET. CAMARON MARVEL OCHS WAS BORN IN THE WATERFRONT SOUTHERN CALIFORNIA TOWN OF HUNTINGTON BEACH, SHE SPENT BIG CHUNKS OF HER YOUTH AT HER GRANDPARENTS' HORSE RANCH IN OCEANSIDE, WHERE THE TRACTOR WAS RED AND THE BARN WAS BLUE. HER GRANDFATHER WAS BOTH A COWBOY AND AN ENTREPRENEUR – HE STARTED HIS OWN BUSINESS, BUILDING WOODEN OFFICE DESKS – AND HER PARENTS WERE SIMILARLY NON-CONFORMIST. HER FATHER GREW UP IN A MILITARY FAMILY AND HAD THE GUTS TO MOVE OUT ON HIS OWN AT AGE 17, A TIME WHEN MOST KIDS ARE LOOKING TO DAD FOR A FEW EXTRA BUCKS TO PUT GAS IN THE CAR AND SEE A MOVIE. HER MOTHER HAD AN EXECUTIVE POSITION IN CONSTRUCTION MANAGEMENT AT A TIME WHEN THOSE JOBS WERE RESERVED ALMOST EXCLUSIVELY FOR MEN. IN TURN, THEIR INDEPENDENT, SELF-RELIANT STREAK WAS INSTILLED IN CAM, PARTICULARLY AFTER THE FAMILY RELOCATED TO NORTHERN CALIFORNIA.
"WE'D CLIMB REDWOOD TREES IN THE BACKYARD, AND I WOULD CLIMB SUPER HIGH AND GET STUCK," SHE RECALLS WITH A LAUGH. "I'D ASK MY DAD TO HELP ME DOWN, AND HE'D SAY, 'WELL, I CAN'T. YOU'VE GOT TO GET YOUR OWN SELF DOWN. BUT I'LL STAND HERE AND CHEER YOU ON.'"
THERE WAS PLENTY TO CHEER. FOR EIGHT YEARS, BEGINNING IN FOURTH GRADE, CAM WAS PART OF THE CONTRA COSTA CHILDREN'S CHOIR, WHICH SANG IN 14 DIFFERENT LANGUAGES. THE CHOIR TOURED INTERNATIONALLY, PERFORMING IN SUCH EXOTIC LOCATIONS AS CANTERBURY CATHEDRAL IN ENGLAND, NOTRE-DAME DE PARIS AND THE VATICAN.
THROUGH THAT PROCESS, CAM LEARNED MUSIC THEORY, HARMONY, STRUCTURE AND TONE. AND SHE LEARNED THE JOY OF BEING PART OF A TEAM.
"I LOVED SINGING IN GROUPS," SHE SAYS. "I DON'T NECESSARILY LIKE TO BE THE CENTER OF ATTENTION."
WHEN SHE HEADED OFF TO COLLEGE, CAM STUDIED PSYCHOLOGY RESEARCH AT THE UNIVERSITY OF CALIFORNIA, DAVIS. THE SCHOOL IS CENTERED IN FARMLAND OUTSIDE OF SACRAMENTO, PART OF THE SAME RING OF SMALL-TOWN SUBURBS THAT INCLUDES FOLSOM, A TOWN THAT WOULD BECOME VITAL TO THE LEGEND OF JOHNNY CASH.
THE SETTING WAS CRUCIAL. CAM HAD ALREADY BEGUN TO CONNECT TO DIVERSE BRANDS OF MUSIC – SHE WAS DRAWN TO STRONG, INDIE-ROCK FEMALES AND TO SINGER/SONGWRITERS IN HER CASUAL LISTENING AT THE SAME TIME SHE WAS SINGING CLASSICAL MUSIC WITH THE CHORAL GROUP. BUT COUNTRY MUSIC WAS A BIG PART OF THE SOCIAL SCENE AT DAVIS, AND IT BECAME AN IMPORTANT ELEMENT IN HER SELF-EXPRESSION.
"VARSITY BLUES CAME OUT, AND EVERYBODY WORE COWBOY BOOTS TO SCHOOL," CAM RECALLS. "AND EVERYBODY LISTENED TO TIM MCGRAW AND THE DIXIE CHICKS AND SHANIA TWAIN."
THAT INCLUDED CAM, WHO IDENTIFIED WITH THE VALUES OF HOME AND COMMUNITY THAT ARE CENTRAL TO THE GENRE. THAT EMOTIONAL CONNECTION WOULD PAY OFF WHEN SHE PURSUED MUSIC PROFESSIONALLY. WHILE LIVING IN LOS ANGELES, CAM MET A KINDRED SPIRIT IN UP-AND-COMING SONGWRITER/PRODUCER TYLER JOHNSON (TAYLOR SWIFT, P!NK). A SONGWRITING PARTNERSHIP WAS BEGUN, WITH PROMISING EARLY RESULTS – THEY CO-WROTE A SONG ON MILEY CYRUS' ALBUM BANGERZ, AND CAM ALSO LANDED A SONG ON A PROJECT BY INDIE COUNTRY ACT MAGGIE ROSE.
CAM AND JOHNSON METICULOUSLY WROTE AND REWROTE THE MATERIAL FOR WEEKS AND MONTHS AT A TIME UNDER THE WATCHFUL EYE OF GRAMMY®-WINNING PRODUCER AND SONGWRITER JEFF BHASKER (FUN., MARK RONSON), WHO HELPED BRING HER TO THE INDUSTRY'S ATTENTION IN NEW YORK, EVEN WHILE SHE MADE ORGANIC INROADS IN MUSIC CITY.
IN A BIT OF A FLUKE, CAM'S MUSIC WAS DISCOVERED ONLINE BY NASHVILLE RADIO PROGRAMMER MICHAEL BRYAN, WHO STARTED PLAYING ONE OF HER SONGS, "DOWN THIS ROAD," ON WSIX EVEN THOUGH SHE WAS UNSIGNED. WHILE THE ATTENTION WAS A BOON, WHEELS WERE ALREADY IN MOTION BEHIND THE SCENES WITH LABEL MEETINGS IN NASHVILLE WHEN BHASKER GOT CAM A MEETING IN NEW YORK WITH RCA RECORDS CHAIRMAN & CEO PETER EDGE AND PRESIDENT & COO TOM CORSON. BLOWN AWAY BY HER INCREDIBLE VOICE AND IRRESISTIBLE PERSONALITY AND CHARM, EDGE IMMEDIATELY CALLED SONY MUSIC'S CEO, DOUG MORRIS, WHO LIKEWISE FELL FOR HER UNDENIABLE TALENT WHEN SHE AUDITIONED FOR HIM. IN A RARE SITUATION, SHE'S NOW SIGNED TO BOTH THE COUNTRY (ARISTA NASHVILLE) AND POP (RCA RECORDS) LABELS – SHE SEES HERSELF AS A COUNTRY ACT, BUT IF HER MUSIC BREAKS OUT OF THE GENRE OR FINDS AN AUDIENCE OVERSEAS, THE POP DIVISION IS WAITING IN THE WINGS.
MANY OF HER SONGS WENT THROUGH MAJOR REVISIONS EVEN AFTER SHE SIGNED HER DEAL, A REFLECTION OF CAM'S EVOLUTION AS AN ARTIST AND HER DOGGED PURSUIT OF A DISTINCTIVE SOUND. AS THE ARRANGEMENTS OR INSTRUMENTATION CHANGED, THE LYRICS INVARIABLY GOT TWEAKED, TOO. SHE WAS PRESENT FOR EVERY NUANCE, ENSURING THAT THE END RESULTS REFLECTED HER REALITY.
"IT WAS VERY IMPORTANT FOR ME TO KNOW EVERYTHING THAT WAS INVOLVED IN MY MUSIC," SHE SAYS. "I'M THERE FOR ALL THE PRODUCTION THAT HAPPENS, I SIGN OFF ON ALL THE MIXES, I'M THERE FOR THE RECORDING. THE PEOPLE THAT ARE WORKING WITH ME ARE INCREDIBLE, SO I'M NOT DRIVING EVERY ASPECT OF IT, BUT I'M THERE INSPIRING IT."
IN EARLY 2015, COUNTRY RADIO WAS INTRODUCED TO CAM WITH THE ENGAGING FIRST SINGLE, "MY MISTAKE," WHILE HER FOUR-SONG EP, WELCOME TO CAM COUNTRY, DEBUTED ON SPOTIFY. THE MEDIA WAS IMPRESSED WITH CAM'S POSSIBILITIES. BILLBOARD PRAISED HER MUSIC AS "AT ONCE FRESH AND FAMILIAR, THAT RARE MIX OF DARING AND COMFORT THAT'S OFTEN THE HALLMARK OF A HIT," WHILE GOSSIP KING PEREZ HILTON CHAMPIONED HER FOR BEING "FEARLESS." THE ACCOLADES CONTINUED WITH THE RISE OF "BURNING HOUSE," WHICH ROLLING STONE COUNTRY CALLED "HAUNTING" AND "ONE OF THE MOST BUZZED-ABOUT TUNES OF THE YEAR." AND THE WASHINGTON POST LAUDED BOTH "MY MISTAKE" AND "BURNING HOUSE," NOTING THAT "THE TWO SONGS FEEL LIKE NIGHT AND DAY, BUT THEY ALSO SUGGEST RANGE AND DEPTH."
SINCE JULY 6, 2015, THE OFFICIAL RADIO IMPACT DATE OF "BURNING HOUSE, NOT ONLY HAS CAM BECOME THE ONLY COUNTRY FEMALE TO ACHIEVE MORE THAN 1 MILLION DOWNLOADS OF A SINGLE THIS PAST YEAR, BUT, ADDITIONALLY, BOTH HER BREAKTHROUGH HIT AND DEBUT DISC MADE MULTIPLE "BEST OF 2015" CRITICS' LISTS, INCLUDING ROLLING STONE, ENTERTAINMENT WEEKLY, THE WASHINGTON POST, ASSOCIATED PRESS, NASHVILLE SCENE, AMONG OTHERS. CAM ALSO BECAME THE MOST-NOMINATED FEMALE AT THE 2016 ACM AWARDS WITH SIX TOTAL NODS, AND, SHE RECEIVED A 2016 GRAMMY NOMINATIONFOR "BEST COUNTRY SOLO PERFORMANCE" FOR "BURNING HOUSE" AND 2016 AMERICAN COUNTRY COUNTDOWN AWARDS NOMINATIONS FOR "FEMALE VOCALIST OF THE YEAR" AND "BREAKTHROUGH FEMALE VOCALIST OF THE YEAR." HER CAREER IS SHOWING PROMISE.
PROMISE IS PART OF CAM'S CHARM. EVEN IN "BURNING HOUSE," A SPARE SONG ABOUT A CRUMBLING RELATIONSHIP, ONE CAN SENSE AN UNDERLYING POSITIVITY: HER PERSISTENCE AND HER DETERMINATION TO MEND A DEVASTATING FRACTURE.
IT'S A RARE GIFT, AND IT'S REFLECTED IN HER BOLD PENCHANT FOR YELLOW. SHE SPRINKLES THAT COLOR INTO SHOES, DRESSES, BRACELETS – SOMETIMES A COMBINATION OF ALL OF THEM – AS SHE VISUALLY CAPTURES HER INNER GLOW. THAT GOLDEN SIGNATURE LOOK WAS DEVELOPED OUT OF A CONVERSATION WITH HER MANAGER, LINDSAY MARIAS. CAM HAD RAISED A FAIR AMOUNT OF MONEY THROUGH A KICKSTARTER CAMPAIGN AND WAS USING SOME OF THAT REVENUE TO FUND A VIDEO. WORKING LATE AT NIGHT DURING THE PRODUCTION, CAM MADE SOME COFFEE TO GET A LIFT, AND AS SHE GRABBED A CUP, SHE PURPOSELY CHOSE A YELLOW ONE OFF THE SHELF.
"I REALLY NEEDED THIS BRIGHT MOMENT TO BE ABLE TO JUST CONNECT WITH PEOPLE THROUGH THE VIDEO," SHE EXPLAINS. "LINDSAY WAS THERE WITH ME, AND SHE SAID, 'YOU ARE YELLOW.' IT'S SO CHEERY AND FRIENDLY AND RELATABLE, AND ALL THOSE ADJECTIVES FIT SO WELL WITH ME AS A PERSON AND WHAT MY MUSIC IS ABOUT, SO IT JUST ALL CLICKED. THEN THE MORE WE INCORPORATED YELLOW, I STAND OUT IN PICTURES. PEOPLE SEND ME YELLOW THINGS, AND EVEN IF I'M TIRED OR IF IT'S A SUPER-COLD, SNOWY DAY, YELLOW LIFTS PEOPLE'S SPIRITS. IT KIND OF DOES HALF THE WORK FOR YOU."
IT'S A SIGN OF CAM'S BOLDNESS. HER DEAL, HER MUSIC, HER PHILOSOPHY – EVEN HER NAME: EVERYTHING ABOUT HER STANDS OUT. IF YOU HAVEN'T NOTICED CAM, YOU SIMPLY WEREN'T LOOKING.
at The Trocadero Theatre
1003 Arch Street
Philadelphia, United States
Orignal From: Cam
Tuesday, 25 October 2016
The Literary Northwest Series Presents Jeff Fearnside and Jesse Donaldson
The Literary Northwest Series Presents Jeff Fearnside and Jesse Donaldson
at Oregon State Campus
11th Street and Madison Avenue
Corvallis, United States
Orignal From: The Literary Northwest Series Presents Jeff Fearnside and Jesse Donaldson
The Literary Northwest Series is hosted by the School of Writing, Literature, and Film and their MFA Program. This event is free and open to the public and followed by a Q & A and book-signing.
Jeff Fearnside's short-story collection Making Love While Levitating Three Feet in the Air, a finalist for the New Rivers Press MVP Award and the Permafrost Book Prize in Fiction, was published in 2016 by the Stephen F. Austin State University Press. His fiction has appeared widely in journals and anthologies such as The Pinch, Rosebud, Many Mountains Moving, Bayou Magazine, Crab Orchard Review, and—most recently—Story, Fourteen Hills, Pacific Review, Valparaiso Fiction Review, and Everywhere Stories: Short Fiction from a Small Planet (Press 53). His writing has been nominated for Best New American Voices and three times for a Pushcart Prize, and he is the recipient of a 2015 Individual Artist Fellowship award from the Oregon Arts Commission. Fearnside earned degrees in Creative Writing from Bowling Green State University (BFA) and Eastern Washington University (MFA), and has taught writing and literature for many years at the Academy of Languages in Kazakhstan, Washington State University, Western Kentucky University, Prescott College, and currently Oregon State University.
Jesse Donaldson was born and raised in Kentucky, attended Kenyon College and Oregon State University, and was a fellow at The Michener Center for Writers in Austin, Texas. His writing has appeared in The Oxford American, The Greensboro Review, and Crazyhourse. Among other things, he's worked as a gardener, copywriter, teacher, and maintenance man. He now lives in Oregon with his wife and daughter, and a dog named Max.
For more information about the Literary Northwest Series visit http://liberalarts.oregonstate.edu/wlf/literary-northwest-series
at Oregon State Campus
11th Street and Madison Avenue
Corvallis, United States
Orignal From: The Literary Northwest Series Presents Jeff Fearnside and Jesse Donaldson
My Bae is a Young Boss
My Bae is a Young Boss
Beautiful and smart, nineteen-year-old Abrienne often kept to herself. She wasn't one to get caught up in gossip, drama, or guys. Besides her crazy, outspoken, and no filter having best friend, Falen, Abrienne's books were her best friend. She didn't sport the latest fashions, keep up with all the newest hair trends, or watch the latest reality shows, and her head was always found stuck in a book.
Abrienne often felt that her looks and hobbies hindered her from finding a boyfriend or from attracting anyone to her, but that didn't stop her from having a crush on Deondre, or Dutch, as most people referred to him. Dutch was that young boss around the city. He made Abrienne weak at the knees every time she spotted him, but his popularity and swag intimidated her.
Abrienne wouldn't dare speak to Dutch, nor make the first move since she felt that he was out of her league and figured that she probably wasn't his type so she decided to focus on getting her first job. Ready to make her own money, Abrienne decides to get a job at the mall where she runs into Dutch. Dutch's smooth talking ways and thugged out demeanor intrigued her. After many attempts of him asking for her number, she finally agrees to give him her phone number.
Her male bashing antics are what Falen is known for when it comes to men. She uses what she has to get what she wants. Not one to catch feelings for guys, Falen loves them and leaves them. After always preaching to Abrienne about not catching feelings, has she met her match when it comes to Raymond, Dutch's right hand man?
Find out what happens when opposites attract in this hood love drama when My Bae Is A Young Boss.
Price: [wpramaprice asin="B01M22X5H2"]
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Orignal From: My Bae is a Young Boss
Embodying the Unspoken Self: Attachment, Trauma, Neurobiology and the Body A Year-long Institute 2016 – 2017
Embodying the Unspoken Self: Attachment, Trauma, Neurobiology and the Body A Year-long Institute 2016 – 2017
We are at full capacity now for registration for the Institute conferences. We can place your name on the waiting list and will notify you if we are able to accept your registration. Thank you very much for your interest in the Institute and we regret not being able to register you at this time. Each Saturday Conference is from 8:30 am to 5:30 pm. Registration in the Institute on Embodying the Unspoken Self automatically enrolls each participant in all four Saturday conferences. Psychotherapy is known as "the talking cure." Through words, patients describe memories and inner experiences, allowing empathically attuned therapists to enter that world. But how can this process unfold when patients have no words for, and may not know, their own experiences? Trauma specialists confront the difficulties of working with material not available to conscious awareness and verbal formulation. P. Ogden, Levine, van der Kolk and others assert that the body holds the story and keeps the score, and that trauma may be revealed not in words but in somatic, unsymbolized sensory fragments and symptoms. Similarly, attachment researchers demonstrate the critical influence of injuries resulting from nuanced early failures of care during the preverbal period that set the stage for later dysfunction. In four full-day conferences, the Institute on Embodying the Unspoken Self provides the opportunity to learn state of the art science and theory of how the body contains and communicates unformulated material, and effective techniques to access implicit memory, integrate previously inaccessible pieces of the patient's past, and alleviate the patient's distress. The Institute opens with Beatrice Beebe. Through micro-analyses of mother-infant dyads, she explores the nonverbal dyadic system cocreated by mother and infant, then extends her findings to adult patient-therapist interactions. From the field of neurobiology, Stephen Porges presents his Polyvagal Theory, explaining how the autonomic nervous system assesses safety and danger, and how that assessment impacts our ability to respond and interact with the environment. In our third conference, Kathy Steele presents her innovative work on trauma and dissociation, exploring the impact of trauma on the integrity of the self and a three-phase approach to working with trauma. To conclude the Institute, Ame Cutler demonstrates the concepts and techniques associated with listening to the body from the inside, using Pat Ogden's Sensorimotor Psychotherapy approach that pays close attention to attachment issues and integrates cognitive,emotional and somatic experiences into treatment. Pre-Conference Sessions are also available: Three hour pre-conferences will also be offered the Friday before each Saturday full day session from 3:00 to 6:15 pm for those who are interested in deepening their understanding of the topics and their clinical applications. Priority will be given to those who are registered for the Institute. Space is limited for the pre-conferences. 1st Conference ~ September 24, 2016 Infant Research and Adult Treatment Beatrice Beebe, PhD Preconference: Bringing Attachment into the Real World: Exploring the Circle of Security Intervention September 23, 2016 - Betty Ann Kaplan, PhD This pre-conference is sold out. You can be added to a waiting list for future openings. 2nd Conference ~ December 10, 2016 The Polyvagal Theory Stephen Porges, PhD Preconference: Prepping for Porges: The Clinical Relevance of his Work December 9, 2016 - Cynthia Margolies, PhD 3rd Conference ~ February 25, 2017 Integrating the Body in the Psychotherapy of Trauma Kathy Steele, MN, CS Preconference: Recognizing Dissociative Processes in Your Casework: Keeping the Body in Mind February 24, 2017 - Rich Chefetz, MD 4th Conference ~ May 6, 2017 Sensorimotor Psychotherapy Treatment of Trauma and Attachment Ame Cutler, PhD Preconference: Not By Words Alone: Body Based Interventions for Healing the Wounds of Attachment and Trauma May 5, 2017 - Tally Tripp, MA, MSW, ATR-BC This pre-conference is sold out. You can be added to a waiting list for future openings. Small Group Experiences: Part of each conference will be spent in small groups. The intentions of the groups are to deepen participants' understanding of the material presented, offer exposure to techniques employed when working with the physical manifestations of developmental trauma, and consider how these techniques can be integrated with self-psychological and relational approaches to treatment. Participants enrolled in the entire Institute will stay in the same group throughout the four conferences. Efforts will be made to arrange groups so as to avoid dual relationships between group members. PARTICIPANTS MAY CHOOSE BETWEEN TWO TYPES OF GROUPS: EXPERIENTIAL GROUPS These groups will focus on experience-near activities which heighten our awareness of the language of the body and the experience of the five senses. Using exercises related to the conference topic, participants will attend to their here-and-now experience and will be invited to discuss their reactions. Participants may find these exercises to be powerful, and group leaders will provide preparation for the experiences and opportunities to debrief reactions within the safety of the small groups. INTEGRATIVE DISCUSSION GROUPS These groups will provide a forum for critical conversation based on the conference topic, deepening participants' understanding of the material being presented and exploring how these perspectives can be applied in the clinical setting. Some optional exercises and case material may be offered as vehicles for demonstrating concepts and considering their clinical implications. See our website for more information, www.icpeast.org/2016-Institute. Special Requests: Reasonable disability accommodations may be requested by August 1, 2016. A limited number of scholarships are available based on financial need. Contact the ICP+P Administrator, administrator@icpeast.org, for either of these requests. Continuing Education Credit: The Institute of Contemporary Psychotherapy+Psychoanalysis (ICP+P) is approved by the American Psychological Association to sponsor continuing education for psychologists. ICP+P maintains responsibility for this program and its content. ICP+P is approved by the Maryland Board of Social Work Examiners to offer Category I continuing education credit. Because ICP+P has approval from the Maryland Board, CE credit hours awarded by ICP+P may also be claimed by social workers licensed in Virginia and the District of Columbia. These continuing education credits meet the ANCC approval standards for nurses and the approved standards for marriage and family therapists. 7 CE credits will be awarded for attending each Saturday conference, at which full attendance is required to receive the designated CE credit. ICP+P is accredited by MedChi, the Maryland State Medical Society, to provide continuing medical education for physicians. ICP+P designates this educational activity for a maximum of 28 AMA PRA Category 1 Credit(s). Physicians should only claim credit commensurate with the extent of their participation in the activity. Three (3) CE credits will be awarded for attendance following each pre-conference session. CE Credit is granted to participants with documented attendance at individual workshops and completed evaluation forms for those sessions. Credit will not be granted to registrants who are more than 15 minutes late or depart more than 15 minutes early from a session. * All Institute presenters and planners have informed us that they do not have a conflict of interest and have disclosed that they have no relevant financial relationship with any commercial interests pertaining to this educational activity. Additionally, the presenters have been instructed to disclose any limitations of data and unlabeled or investigational uses of products during this presentation. This presentation will not contain any references to off-label (non-FDA approved) use of products or devices.
at Georgetown University
3700 O St NW
Washington, United States
Orignal From: Embodying the Unspoken Self: Attachment, Trauma, Neurobiology and the Body A Year-long Institute 2016 – 2017
We are at full capacity now for registration for the Institute conferences. We can place your name on the waiting list and will notify you if we are able to accept your registration. Thank you very much for your interest in the Institute and we regret not being able to register you at this time. Each Saturday Conference is from 8:30 am to 5:30 pm. Registration in the Institute on Embodying the Unspoken Self automatically enrolls each participant in all four Saturday conferences. Psychotherapy is known as "the talking cure." Through words, patients describe memories and inner experiences, allowing empathically attuned therapists to enter that world. But how can this process unfold when patients have no words for, and may not know, their own experiences? Trauma specialists confront the difficulties of working with material not available to conscious awareness and verbal formulation. P. Ogden, Levine, van der Kolk and others assert that the body holds the story and keeps the score, and that trauma may be revealed not in words but in somatic, unsymbolized sensory fragments and symptoms. Similarly, attachment researchers demonstrate the critical influence of injuries resulting from nuanced early failures of care during the preverbal period that set the stage for later dysfunction. In four full-day conferences, the Institute on Embodying the Unspoken Self provides the opportunity to learn state of the art science and theory of how the body contains and communicates unformulated material, and effective techniques to access implicit memory, integrate previously inaccessible pieces of the patient's past, and alleviate the patient's distress. The Institute opens with Beatrice Beebe. Through micro-analyses of mother-infant dyads, she explores the nonverbal dyadic system cocreated by mother and infant, then extends her findings to adult patient-therapist interactions. From the field of neurobiology, Stephen Porges presents his Polyvagal Theory, explaining how the autonomic nervous system assesses safety and danger, and how that assessment impacts our ability to respond and interact with the environment. In our third conference, Kathy Steele presents her innovative work on trauma and dissociation, exploring the impact of trauma on the integrity of the self and a three-phase approach to working with trauma. To conclude the Institute, Ame Cutler demonstrates the concepts and techniques associated with listening to the body from the inside, using Pat Ogden's Sensorimotor Psychotherapy approach that pays close attention to attachment issues and integrates cognitive,emotional and somatic experiences into treatment. Pre-Conference Sessions are also available: Three hour pre-conferences will also be offered the Friday before each Saturday full day session from 3:00 to 6:15 pm for those who are interested in deepening their understanding of the topics and their clinical applications. Priority will be given to those who are registered for the Institute. Space is limited for the pre-conferences. 1st Conference ~ September 24, 2016 Infant Research and Adult Treatment Beatrice Beebe, PhD Preconference: Bringing Attachment into the Real World: Exploring the Circle of Security Intervention September 23, 2016 - Betty Ann Kaplan, PhD This pre-conference is sold out. You can be added to a waiting list for future openings. 2nd Conference ~ December 10, 2016 The Polyvagal Theory Stephen Porges, PhD Preconference: Prepping for Porges: The Clinical Relevance of his Work December 9, 2016 - Cynthia Margolies, PhD 3rd Conference ~ February 25, 2017 Integrating the Body in the Psychotherapy of Trauma Kathy Steele, MN, CS Preconference: Recognizing Dissociative Processes in Your Casework: Keeping the Body in Mind February 24, 2017 - Rich Chefetz, MD 4th Conference ~ May 6, 2017 Sensorimotor Psychotherapy Treatment of Trauma and Attachment Ame Cutler, PhD Preconference: Not By Words Alone: Body Based Interventions for Healing the Wounds of Attachment and Trauma May 5, 2017 - Tally Tripp, MA, MSW, ATR-BC This pre-conference is sold out. You can be added to a waiting list for future openings. Small Group Experiences: Part of each conference will be spent in small groups. The intentions of the groups are to deepen participants' understanding of the material presented, offer exposure to techniques employed when working with the physical manifestations of developmental trauma, and consider how these techniques can be integrated with self-psychological and relational approaches to treatment. Participants enrolled in the entire Institute will stay in the same group throughout the four conferences. Efforts will be made to arrange groups so as to avoid dual relationships between group members. PARTICIPANTS MAY CHOOSE BETWEEN TWO TYPES OF GROUPS: EXPERIENTIAL GROUPS These groups will focus on experience-near activities which heighten our awareness of the language of the body and the experience of the five senses. Using exercises related to the conference topic, participants will attend to their here-and-now experience and will be invited to discuss their reactions. Participants may find these exercises to be powerful, and group leaders will provide preparation for the experiences and opportunities to debrief reactions within the safety of the small groups. INTEGRATIVE DISCUSSION GROUPS These groups will provide a forum for critical conversation based on the conference topic, deepening participants' understanding of the material being presented and exploring how these perspectives can be applied in the clinical setting. Some optional exercises and case material may be offered as vehicles for demonstrating concepts and considering their clinical implications. See our website for more information, www.icpeast.org/2016-Institute. Special Requests: Reasonable disability accommodations may be requested by August 1, 2016. A limited number of scholarships are available based on financial need. Contact the ICP+P Administrator, administrator@icpeast.org, for either of these requests. Continuing Education Credit: The Institute of Contemporary Psychotherapy+Psychoanalysis (ICP+P) is approved by the American Psychological Association to sponsor continuing education for psychologists. ICP+P maintains responsibility for this program and its content. ICP+P is approved by the Maryland Board of Social Work Examiners to offer Category I continuing education credit. Because ICP+P has approval from the Maryland Board, CE credit hours awarded by ICP+P may also be claimed by social workers licensed in Virginia and the District of Columbia. These continuing education credits meet the ANCC approval standards for nurses and the approved standards for marriage and family therapists. 7 CE credits will be awarded for attending each Saturday conference, at which full attendance is required to receive the designated CE credit. ICP+P is accredited by MedChi, the Maryland State Medical Society, to provide continuing medical education for physicians. ICP+P designates this educational activity for a maximum of 28 AMA PRA Category 1 Credit(s). Physicians should only claim credit commensurate with the extent of their participation in the activity. Three (3) CE credits will be awarded for attendance following each pre-conference session. CE Credit is granted to participants with documented attendance at individual workshops and completed evaluation forms for those sessions. Credit will not be granted to registrants who are more than 15 minutes late or depart more than 15 minutes early from a session. * All Institute presenters and planners have informed us that they do not have a conflict of interest and have disclosed that they have no relevant financial relationship with any commercial interests pertaining to this educational activity. Additionally, the presenters have been instructed to disclose any limitations of data and unlabeled or investigational uses of products during this presentation. This presentation will not contain any references to off-label (non-FDA approved) use of products or devices.
at Georgetown University
3700 O St NW
Washington, United States
Orignal From: Embodying the Unspoken Self: Attachment, Trauma, Neurobiology and the Body A Year-long Institute 2016 – 2017
Fall Nature Storybook Art for Homeschoolers
Fall Nature Storybook Art for Homeschoolers
Nature Storybook Art for Homeschoolers Session 1 At Eden Mill Nature Center on September 14, 21, 28 from 12:15 PM to 2:00 PM for children ages 5 to 12 years. /member or /non-member. Each activity builds new awareness about books, illustrators, and their art techniques as each illustrator is paired with a book, and presented to the child artist for an art activity of creative value. Art techniques include: drawing, painting, collage, crafting/constructing. Pre-Registration IS required: 410-836-3050 or edenmillnaturecenter@gmail.com. www.edenmill.org Nature Storybook Art for Homeschoolers Session 2 At Eden Mill Nature Center on October 5, 19, 26 from 12:15 PM to 2:00 PM for children ages 5 to 12 years. /member or /non-member. Each activity builds new awareness about books, illustrators, and their art techniques as each illustrator is paired with a book, and presented to the child artist for an art activity of creative value. Art techniques include: drawing, painting, collage, crafting/constructing. Pre-Registration IS required: 410-836-3050 or edenmillnaturecenter@gmail.com. www.edenmill.org Nature Storybook Art for Homeschoolers Session 3 At Eden Mill Nature Center on November 2, 9, 16 from 12:15 PM to 2:00 PM for children ages 5 to 12 years. /member or /non-member. Each activity builds new awareness about books, illustrators, and their art techniques as each illustrator is paired with a book, and presented to the child artist for an art activity of creative value. Art techniques include: drawing, painting, collage, crafting/constructing. Pre-Registration IS required: 410-836-3050 or edenmillnaturecenter@gmail.com. www.edenmill.org
at Eden Mill Nature Center
1617 Eden Mill Rd
Pylesville, United States
Orignal From: Fall Nature Storybook Art for Homeschoolers
Nature Storybook Art for Homeschoolers Session 1 At Eden Mill Nature Center on September 14, 21, 28 from 12:15 PM to 2:00 PM for children ages 5 to 12 years. /member or /non-member. Each activity builds new awareness about books, illustrators, and their art techniques as each illustrator is paired with a book, and presented to the child artist for an art activity of creative value. Art techniques include: drawing, painting, collage, crafting/constructing. Pre-Registration IS required: 410-836-3050 or edenmillnaturecenter@gmail.com. www.edenmill.org Nature Storybook Art for Homeschoolers Session 2 At Eden Mill Nature Center on October 5, 19, 26 from 12:15 PM to 2:00 PM for children ages 5 to 12 years. /member or /non-member. Each activity builds new awareness about books, illustrators, and their art techniques as each illustrator is paired with a book, and presented to the child artist for an art activity of creative value. Art techniques include: drawing, painting, collage, crafting/constructing. Pre-Registration IS required: 410-836-3050 or edenmillnaturecenter@gmail.com. www.edenmill.org Nature Storybook Art for Homeschoolers Session 3 At Eden Mill Nature Center on November 2, 9, 16 from 12:15 PM to 2:00 PM for children ages 5 to 12 years. /member or /non-member. Each activity builds new awareness about books, illustrators, and their art techniques as each illustrator is paired with a book, and presented to the child artist for an art activity of creative value. Art techniques include: drawing, painting, collage, crafting/constructing. Pre-Registration IS required: 410-836-3050 or edenmillnaturecenter@gmail.com. www.edenmill.org
at Eden Mill Nature Center
1617 Eden Mill Rd
Pylesville, United States
Orignal From: Fall Nature Storybook Art for Homeschoolers
Wednesday, 19 October 2016
Gareth Emery
Gareth Emery
Most DJ/producers don't crack into the DJMag Top 100 before the age of 30. Most of them don't shun major label attention. Most of them don't have them don't have the balls to call out the scene that they belong to when it's failing to deliver the goods. And some don't even produce 'their' own tracks. Gareth Emery, with his potent blend of trance, house, electro and techno, however, is not your average major league artist. He was a prodigious talent in his childhood, teaching himself to play the piano from the age of 4, and continuing his invaluable classical education until he began playing guitar in an indie band at 15. Neither of these were false starts for his eventual electronic conversion; instead, both paths giving him essential experience and understanding of music and songwriting and how to convey emotion through his sounds. His baptism of fire came on a chance trance trip to Ibiza in 1998, which was followed by three years of learning the machinations of electronic music making. At the age of 22, he created a track on a laptop while on holiday in France. That track was the instant classic Mistral; a stunning debut which soon had unsuspecting pundits and clubbers alike eating out of his hands. From here onwards his career ascent was impressively - and deservedly rapid."I guess it's just good, melodic dance music," he says of his musical style. "One of the most positive things about the scene over the past few years has been the gradual breaking down of genre barriers and the cross-pollination of sounds. I just look for records that I enjoy musically and also work well in a club. The genre is unimportant". He's not afraid to meld his bold, scintillating electronic motifs with more organic flavours, with his crisp, sharp leads and basslines frequently married to soaring vocals, traditional songwriting prowess and what some might call 'proper' instruments. While he's spent record-breaking stints at the top of Beatport's Trance sales chart, and while trance will always be a part of what he does, he won't let the sound ultimately define him. "I've realised that my strength is in music and melodies that touch people. I'm a music guy. It just happens to be that the music I make is electronic. That realisation has allowed me a lot more creative freedom, then when I felt I had to write music for a certain 'scene'." It's this very decision which has helped him to garner such widespread acclaim and which has ensured that he's never boxed as simply a trance DJ/producer. His ambitions are bigger than any one sound or scene, and his eclectically flavoured output is testament to that fact. "The longer I've been producing, the less I see myself as a dance music producer and more as an artist and musician" he explains of this approach to production. "I always start a track with the music, rather than the beats, and I found the dance scene after classical piano training and years of playing guitar in bands, so I guess in a way I've come full circle." His ground-breaking podcast started back in 2006, marking him out as one of the key early adopters of the now ubiquitous format. Nominated several times for the Miami IMDA Best Podcast award, it's been a seriously important calling card for his career. "I got lucky basically. But I also never had any musical rules about the show; it was always whatever tracks I liked that week, regardless of whether they fitted my sets. Down the line that allowed me to be more innovative and varied with my DJ sets." He's consistently voted inside the DJMag Top 100 DJs Poll - peaking at Number 7 - with his burgeoning Garuda party selling out Manchester's legendary Sankeys four times in a row and spawning a critically acclaimed compilation, The Sound Of Garuda. Building a musical brand around his name in record shops, download stores, radio and clubland has given him an all-encompassing reputation in dance music which is rivalled by few.His 2012 is off to a huge start, with latest single Concrete Angel premiered on Judge Jules' Radio 1 show , and its video added to the prestigious MTV Dance playlist as well as racking up 1 million YouTube plays in its first three weeks online. He's been chosen as a resident for Las Vegas's Marquee - one of the most outstanding club venues in the world in the city that everyone's calling the new Ibiza - while he's also playing the enormous Ultra Music Festival and taking Garuda to Space Miami. Clocking up air miles like nobody's business, he's massively in demand across the globe, his continually evolving sound gaining him bookings at an impressive variety of clubs and festivals the world over.As you can probably tell, Gareth Emery is a man of hard-graft and sizeable ambition. His ambitions are impressive, with a view to produce bands and other artists in the future. His focus for the foreseeable future is on building further on the huge platform that Garuda sits on, taking his club nights and new show across the globe, while continuing to create more slices of 'anti-genre' dancefloor gold.
at Foundation Nightclub
2218 Western Ave.
Seattle, United States
Orignal From: Gareth Emery
Most DJ/producers don't crack into the DJMag Top 100 before the age of 30. Most of them don't shun major label attention. Most of them don't have them don't have the balls to call out the scene that they belong to when it's failing to deliver the goods. And some don't even produce 'their' own tracks. Gareth Emery, with his potent blend of trance, house, electro and techno, however, is not your average major league artist. He was a prodigious talent in his childhood, teaching himself to play the piano from the age of 4, and continuing his invaluable classical education until he began playing guitar in an indie band at 15. Neither of these were false starts for his eventual electronic conversion; instead, both paths giving him essential experience and understanding of music and songwriting and how to convey emotion through his sounds. His baptism of fire came on a chance trance trip to Ibiza in 1998, which was followed by three years of learning the machinations of electronic music making. At the age of 22, he created a track on a laptop while on holiday in France. That track was the instant classic Mistral; a stunning debut which soon had unsuspecting pundits and clubbers alike eating out of his hands. From here onwards his career ascent was impressively - and deservedly rapid."I guess it's just good, melodic dance music," he says of his musical style. "One of the most positive things about the scene over the past few years has been the gradual breaking down of genre barriers and the cross-pollination of sounds. I just look for records that I enjoy musically and also work well in a club. The genre is unimportant". He's not afraid to meld his bold, scintillating electronic motifs with more organic flavours, with his crisp, sharp leads and basslines frequently married to soaring vocals, traditional songwriting prowess and what some might call 'proper' instruments. While he's spent record-breaking stints at the top of Beatport's Trance sales chart, and while trance will always be a part of what he does, he won't let the sound ultimately define him. "I've realised that my strength is in music and melodies that touch people. I'm a music guy. It just happens to be that the music I make is electronic. That realisation has allowed me a lot more creative freedom, then when I felt I had to write music for a certain 'scene'." It's this very decision which has helped him to garner such widespread acclaim and which has ensured that he's never boxed as simply a trance DJ/producer. His ambitions are bigger than any one sound or scene, and his eclectically flavoured output is testament to that fact. "The longer I've been producing, the less I see myself as a dance music producer and more as an artist and musician" he explains of this approach to production. "I always start a track with the music, rather than the beats, and I found the dance scene after classical piano training and years of playing guitar in bands, so I guess in a way I've come full circle." His ground-breaking podcast started back in 2006, marking him out as one of the key early adopters of the now ubiquitous format. Nominated several times for the Miami IMDA Best Podcast award, it's been a seriously important calling card for his career. "I got lucky basically. But I also never had any musical rules about the show; it was always whatever tracks I liked that week, regardless of whether they fitted my sets. Down the line that allowed me to be more innovative and varied with my DJ sets." He's consistently voted inside the DJMag Top 100 DJs Poll - peaking at Number 7 - with his burgeoning Garuda party selling out Manchester's legendary Sankeys four times in a row and spawning a critically acclaimed compilation, The Sound Of Garuda. Building a musical brand around his name in record shops, download stores, radio and clubland has given him an all-encompassing reputation in dance music which is rivalled by few.His 2012 is off to a huge start, with latest single Concrete Angel premiered on Judge Jules' Radio 1 show , and its video added to the prestigious MTV Dance playlist as well as racking up 1 million YouTube plays in its first three weeks online. He's been chosen as a resident for Las Vegas's Marquee - one of the most outstanding club venues in the world in the city that everyone's calling the new Ibiza - while he's also playing the enormous Ultra Music Festival and taking Garuda to Space Miami. Clocking up air miles like nobody's business, he's massively in demand across the globe, his continually evolving sound gaining him bookings at an impressive variety of clubs and festivals the world over.As you can probably tell, Gareth Emery is a man of hard-graft and sizeable ambition. His ambitions are impressive, with a view to produce bands and other artists in the future. His focus for the foreseeable future is on building further on the huge platform that Garuda sits on, taking his club nights and new show across the globe, while continuing to create more slices of 'anti-genre' dancefloor gold.
at Foundation Nightclub
2218 Western Ave.
Seattle, United States
Orignal From: Gareth Emery
Tuesday, 18 October 2016
Warner Bros. Studio Tour Hollywood
Warner Bros. Studio Tour Hollywood
Warner Bros. Studio Tour Hollywood brings you closer than ever to the entertainment you know and love. You'll never see Hollywood the same way again as you explore the working sets and actual soundstages where the biggest names in entertainment made history. Sit on the couch at Central Perk on the actual set of Friends, become Hobbit-sized at our forced perspective special effect table, race through Gotham on a Batpod and much more. From The Big Bang Theory to Batman and beyond, the Warner Bros. Studio Tour Hollywood takes you behind-the-camera for a revealing look at how the magic of Hollywood is made.
The newest addition to the tour is the DC Universe: The Exhibit featuring the Greatest Super Heroes and Super-Villains. Guests will be able to explore authentic set, props and costumes from the highly anticipated summer film Suicide Squad prior to the film's debut in theaters on August 5th as well as handling a Kryptonite and seeing original Bat lab pieces from Ben Affleck's first outing as Batman in Batman v Superman: Dawn of Justice. The exhibit also pays homage to the origins of DC Comics, including all seven Super Heroes of the Justice League, exclusively at Warner Bros. Studio Tour Hollywood.
To reserve tickets visit https://www.wbstudiotour.com or call 877-492-8687. Advance reservation highly recommended. WB Shield: © & TM WBEI
at Brick & Mortar Music Hall
1710 Mission Street
San Francisco, United States
Orignal From: Warner Bros. Studio Tour Hollywood
Warner Bros. Studio Tour Hollywood brings you closer than ever to the entertainment you know and love. You'll never see Hollywood the same way again as you explore the working sets and actual soundstages where the biggest names in entertainment made history. Sit on the couch at Central Perk on the actual set of Friends, become Hobbit-sized at our forced perspective special effect table, race through Gotham on a Batpod and much more. From The Big Bang Theory to Batman and beyond, the Warner Bros. Studio Tour Hollywood takes you behind-the-camera for a revealing look at how the magic of Hollywood is made.
The newest addition to the tour is the DC Universe: The Exhibit featuring the Greatest Super Heroes and Super-Villains. Guests will be able to explore authentic set, props and costumes from the highly anticipated summer film Suicide Squad prior to the film's debut in theaters on August 5th as well as handling a Kryptonite and seeing original Bat lab pieces from Ben Affleck's first outing as Batman in Batman v Superman: Dawn of Justice. The exhibit also pays homage to the origins of DC Comics, including all seven Super Heroes of the Justice League, exclusively at Warner Bros. Studio Tour Hollywood.
To reserve tickets visit https://www.wbstudiotour.com or call 877-492-8687. Advance reservation highly recommended. WB Shield: © & TM WBEI
at Brick & Mortar Music Hall
1710 Mission Street
San Francisco, United States
Orignal From: Warner Bros. Studio Tour Hollywood
The Benifits of E-Zine Advertising
The Benifits of E-Zine Advertising
List Price: $ 0.99
Price: [wpramaprice asin="B00AMCXZX0"]
Customer Reviews
Orignal From: The Benifits of E-Zine Advertising
Wervend schrijven
Wervend schrijven
Een evenement of vorming kan pas geslaagd zijn als er voldoende mensen op afkomen. Maar hoe 'lok' je volk met woorden? Hoe maak je mensen warm? Een gevierd auteur of poëet moet je daarvoor niet zijn. Met gerichte tips en technieken ga je zelf aan de slag om een kort wervend tekstje te schrijven dat van je volgende activiteit een voltreffer maakt! Stef Dehullu (De Duiven van Gerard) helpt ondernemers, bedrijven en (mensen uit) diverse organisaties via copywriting, journalistiek, het presenteren van live-evenementen en met spreekcoaching om verhalen te vertellen die boeien en blijven plakken.
Georganiseerd door De Duiven van Gerard, Provinciaal Steunpunt Vrijwilligerswerk
at Vormingplus - lokaal 1
Sint-Pieterskerklaan 5
Brugge, Belgium
Orignal From: Wervend schrijven
Een evenement of vorming kan pas geslaagd zijn als er voldoende mensen op afkomen. Maar hoe 'lok' je volk met woorden? Hoe maak je mensen warm? Een gevierd auteur of poëet moet je daarvoor niet zijn. Met gerichte tips en technieken ga je zelf aan de slag om een kort wervend tekstje te schrijven dat van je volgende activiteit een voltreffer maakt! Stef Dehullu (De Duiven van Gerard) helpt ondernemers, bedrijven en (mensen uit) diverse organisaties via copywriting, journalistiek, het presenteren van live-evenementen en met spreekcoaching om verhalen te vertellen die boeien en blijven plakken.
Georganiseerd door De Duiven van Gerard, Provinciaal Steunpunt Vrijwilligerswerk
Bron: UiTinVlaanderen.be
at Vormingplus - lokaal 1
Sint-Pieterskerklaan 5
Brugge, Belgium
Orignal From: Wervend schrijven
UK Essay Writing Services Gaining Popularity in Australia
Essay writing help services from UK are increasingly becoming popular in Australia. The reason is a sizeable chunk of Australian students want to crack college admissions in UK and make a career over there. For college admission or higher education in UK, writing essays is a must. Australian students understand this fact very well but are weak in UK style essay writing. Hence, they prefer to avail essay help services from UK-based companies in Australia.
Reliable UK essay help company in Australia
It is not so easy for UK Essay Writing Services to gain a foothold in Australian academic writing market. Such essay help companies need to strike a balance between UK style essay writing and requirements of the Australian students.
* Helping Australian students adapt to UK English style
Reliable UK essay help companies provide qualitative help material that enables Australian students to prepare essays in UK English style. The essay help material prepared by these company writers consists of elements essay structures, content guide etc. in UK English style.
* Explaining Australian students in their language for better understanding:
Reliable UK essay help companies provide an online chat facility through which Australian students can clarify their UK essay queries. The chat facility is backed by professionals who are good at Australian English but also knowledgeable regarding UK English essay writing. They provide precise explanations about UK style essay writing to Australian students through live chat.
* Providing top-notch UK essay help
Reliable UK essay companies ensure to provide additional support apart from qualitative UK essay help material. Their writers are ready to go a step ahead to specify the differences in Australian and UK English writing styles through grammar, spellings, vocabulary and UK essay writing guides.
The UK writers always strive to provide essay writing help to Australian students in a way that they can adapt to it rapidly. The UK essay writing companies should be backed by a staff that has excellent Australian English communication skills. The staff members should be able to explain the Australian students about the UK essay writing techniques in a simple and clear manner.
Scope of UK style essay help in Australia
There is a huge scope for UK style essay help services to grow in Australia. Many Australian students want to go to UK to complete their higher education. In this case, they know that they need to crack the college admission test in UK. Such a situation will require them to submit an admission essay that needs to be written in UK English style. The UK essay help companies can provide assistance to Australian students so that they can start writing essays in the UK English style.
Parameters like pronunciation, grammar and spellings are slightly different in UK English style when compared to the Australian English style. UK-based essay help companies enable Australian students to overcome such hurdles. The genuine UK-based brands ensure to provide plagiarism-free essay help services to Australian students at reasonable prices.
Hi, my self Alina Anderson, my interest is to write essay, like college admission essay help and essay help. I am also provide essay writing help online for some of the site from which students can take help with essay.
Orignal From: UK Essay Writing Services Gaining Popularity in Australia
INCOGNITO w/ Special Guest Vocalist MAYSA
INCOGNITO w/ Special Guest Vocalist MAYSA
VIP Reserved Booths on Floor
* per Ticket - Must Buy Entire Booth
* Booth for 4 = 0
* Booth for 6 = 0
VIP Gold Circle Reserved Seating
*
* First Come, First Served
General Admission - Limited Seating
* .50 Advance / Advance
* Limited Seating Available First Come, First Served
* Full Menu Available
* Minimum Per Person, For All Tables
* All Ages
at B.B. King Blues Club and Grill
237 W 42nd Street
New York, United States
Orignal From: INCOGNITO w/ Special Guest Vocalist MAYSA
VIP Reserved Booths on Floor
* per Ticket - Must Buy Entire Booth
* Booth for 4 = 0
* Booth for 6 = 0
VIP Gold Circle Reserved Seating
*
* First Come, First Served
General Admission - Limited Seating
* .50 Advance / Advance
* Limited Seating Available First Come, First Served
* Full Menu Available
* Minimum Per Person, For All Tables
* All Ages
The enduring success of Incognito is one of the great stories of U.K. music during the last 30 years. Look at the recent history of soulful U.K. artists and you will find any number of short-lived acts that have achieved pop success. Narrow the list to those that have created a uniquely British sound and that have endured as a global phenomenon on their own terms, and the list becomes short. Immense credit goes then to Jean-Paul "Bluey" Maunick and Incognito, formed in 1979 and currently celebrating over 30 years of positive vibes and undiluted jazz funk.
Bluey formed Incognito along with Paul "Tubbs" Williams, and the band's debut release, Jazz Funk (1981), was an instrumental tour de force. However, after a brief foray into pop with the track "North London Boy" (1981), most of the band's members went separate ways, and the band didn't release another album until 1991's Inside Life. After that release, however, Incognito took the club scene and the charts by storm, quickly becoming a smooth jazz icon in the U.S. with releases like Tribes, Vibes & Scribes (1992), which featured the hit "L'Arc en Ciel de Miles;" Positivity (1994), which sold almost a million copies worldwide and spawned hits like "Still a Friend of Mine," "Givin' It Up," and "Deep Waters;" and 100 Degrees and Rising (1995).
Incognito has continued to maintain an active recording and performance schedule since that '90s heyday, with performances at festivals and prominent venues around the world and releases including Life Stranger Than Fiction (2001), Eleven (2006), and Tales from the Beach (2008). The band also recently celebrated its 30th anniversary by dropping two albums in 2010: Live in London: The 30th Anniversary Concert and Transatlantic R.P.M. Over 30 years into a historic career, the Bluey and Incognito story remains a uniquely Great British adventure. From Top 10 hits to producing and arranging for Chaka Khan, Anastacia, Lulu, Philip Bailey, and George Benson, Bluey can safely take his place among the greats of global soul.
Incognito >>
Incognito @ Facebook >>
Incognito @ Twitter >>
Incognito @ Instagram >>
at B.B. King Blues Club and Grill
237 W 42nd Street
New York, United States
Orignal From: INCOGNITO w/ Special Guest Vocalist MAYSA
ISA Certified Arborist Short Course
ISA Certified Arborist Short Course
To earn an ISA Certified Arborist® credential, you must be trained and knowledgeable in all aspects of arboriculture. ISA Certified Arborists® have met all requirements to be eligible for the exam. The purpose of the short course is to help professionals prepare for the exam. The short course covers a large number of topics related to arboriculture and is strong in its emphasis on the biology of trees as it relates to arboriculture. This certification is accredited by the American National Standards Institute, meeting and exceeding ISO 17024. Requirements to take the exam: Includes three or more years of full-time, eligible, practical work experience in arboriculture and/or a degree in the field of arboriculture, horticulture, landscape architecture, or forestry from a regionally accredited educational institute. Class Dates: Tues & Thursday evening from 6pm to 9pm starting Tuesday Sept 20th through Thursday November 3rd. The exam will be held on Saturday 05 November, 2016. Course syllabus given on the first night with exact dates & topics. You can see last years syllabus here to give you an idea of what you can expect: 2015 Arborist Syllabus Notice: Must have minimum of 6 paying students to hold class. Maximum seating capacity is 40 persons. Course Fee Short Course Fee* 5.00 Cost of ISA Arborist Manual:** ISA Member Non-Member 5 ISA Arborist Audio CD set available the First Night for the cost of . After the first night, non-members pay Study glossary books will be available. Cost for Members is and Nonmember Trees of Florida books will cost Members and Nonmembers (note: only the Arborist manual is required. The other books are optional for purchase as reference to help you study) Exam Fee** ISA Member 0 Non-Member 0 * Short course fees are paid by check or credit card to Public Works Academy. Students are expected to pay for course on first day of class. ** Credit card or check made payable to the ISA Florida Chapter for all manuals, membership, and exam costs. Study materials will be available at ISA member pricing for ALL students on the first night of the course only. ** Cost of ISA Membership including Florida Chapter membership is 0 Learn about tree wounds and care For more information contact: Glenn Duncan DuncanG@pcsb.org 727-418-2273 Find out about what stresses trees. Accredited by: Council on Occupational Education (COE) 7840 Roswell Road, Building 300, Suite 325 Atlanta, Georgia 30350 (770) 396-3898; (800) 917-2081 The School Board of Pinellas County, Florida prohibits and all forms of discrimination and harassment based on race, color, sex, religion, national origin, marital status, age, sexual orientation, or disability in any of its programs, service, or activities.
at Pinellas Technical College - St Petersburg
901 34th Street South , Horticulture Building
Saint Petersburg, United States
Orignal From: ISA Certified Arborist Short Course
To earn an ISA Certified Arborist® credential, you must be trained and knowledgeable in all aspects of arboriculture. ISA Certified Arborists® have met all requirements to be eligible for the exam. The purpose of the short course is to help professionals prepare for the exam. The short course covers a large number of topics related to arboriculture and is strong in its emphasis on the biology of trees as it relates to arboriculture. This certification is accredited by the American National Standards Institute, meeting and exceeding ISO 17024. Requirements to take the exam: Includes three or more years of full-time, eligible, practical work experience in arboriculture and/or a degree in the field of arboriculture, horticulture, landscape architecture, or forestry from a regionally accredited educational institute. Class Dates: Tues & Thursday evening from 6pm to 9pm starting Tuesday Sept 20th through Thursday November 3rd. The exam will be held on Saturday 05 November, 2016. Course syllabus given on the first night with exact dates & topics. You can see last years syllabus here to give you an idea of what you can expect: 2015 Arborist Syllabus Notice: Must have minimum of 6 paying students to hold class. Maximum seating capacity is 40 persons. Course Fee Short Course Fee* 5.00 Cost of ISA Arborist Manual:** ISA Member Non-Member 5 ISA Arborist Audio CD set available the First Night for the cost of . After the first night, non-members pay Study glossary books will be available. Cost for Members is and Nonmember Trees of Florida books will cost Members and Nonmembers (note: only the Arborist manual is required. The other books are optional for purchase as reference to help you study) Exam Fee** ISA Member 0 Non-Member 0 * Short course fees are paid by check or credit card to Public Works Academy. Students are expected to pay for course on first day of class. ** Credit card or check made payable to the ISA Florida Chapter for all manuals, membership, and exam costs. Study materials will be available at ISA member pricing for ALL students on the first night of the course only. ** Cost of ISA Membership including Florida Chapter membership is 0 Learn about tree wounds and care For more information contact: Glenn Duncan DuncanG@pcsb.org 727-418-2273 Find out about what stresses trees. Accredited by: Council on Occupational Education (COE) 7840 Roswell Road, Building 300, Suite 325 Atlanta, Georgia 30350 (770) 396-3898; (800) 917-2081 The School Board of Pinellas County, Florida prohibits and all forms of discrimination and harassment based on race, color, sex, religion, national origin, marital status, age, sexual orientation, or disability in any of its programs, service, or activities.
at Pinellas Technical College - St Petersburg
901 34th Street South , Horticulture Building
Saint Petersburg, United States
Orignal From: ISA Certified Arborist Short Course
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